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Videos were filmed for both "Can't You See" and its "Bad Boy Remix". The video for the original song was filmed on location at Bethesda Terrace in New York City's Central Park. The video begins with a Bad Boy Entertainment motto of "Besides every Bad Boy, there is a Bad Girl!". The Notorious B.I.G. and Puff Daddy appear in white attire in a ...
"Can't You See" is a song written by Toy Caldwell of The Marshall Tucker Band. The song was originally recorded by the band on their 1973 debut album, The Marshall Tucker Band , and released as the album's first single.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
"Beck's Bolero" is a rock instrumental recorded by English guitarist Jeff Beck in 1966. It is Beck's first solo recording and has been described as "one of the great rock instrumentals, epic in scope, harmonically and rhythmically ambitious yet infused with primal energy". [ 1 ] "
Can't You See may refer to: "Can't You See" (The Marshall Tucker Band song), 1973 "Can't You See" (Total song), 1995
While the notes of a G 7 chord are G–B–D–F, jazz often omits the fifth of the chord—and even the root if playing in a group. [2] However, not all jazz pianists leave out the root when they play voicings: Bud Powell , one of the best-known of the bebop pianists, and Horace Silver , whose quintet included many of jazz's biggest names from ...
In a very slow ballad, if a chord-playing musician adds in an improvised diminished chord for a half a bar, this may "clash" with the melody notes or chords played by other performers. On the other hand, in an extremely up-tempo (fast) bebop tune, a comping musician could add improvised passing chords with more freedom, because each bar goes by ...