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Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.
Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. [ 1 ] Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, especially Mannerist ornament in architecture; this article concentrates on those times and ...
Movement. Mannerism. Jacopo Carucci or Carrucci (IPA: [ˈjaːkopo ka (r)ˈruttʃi]; May 24, 1494 – January 2, 1557), usually known as Jacopo (da) Pontormo or simply Pontormo (IPA: [ponˈtormo]), was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm ...
Antwerp Mannerism is the name given to the style of a group of largely anonymous painters active in the Southern Netherlands and principally in Antwerp in roughly the first three decades of the 16th century, a movement marking the tail end of Early Netherlandish painting, and an early phase within Dutch and Flemish Renaissance painting.
Their images are among the most widely known works of art in the world. Leonardo's The Last Supper, Raphael's The School of Athens and Michelangelo's Sistine Chapel ceiling are the textbook examples of this period. High Renaissance painting evolved into Mannerism (c. 1520–1580), especially in Florence.
Art historian Max Dvořák was the first scholar to connect El Greco's art with Mannerism and Antinaturalism. [34] Modern scholars characterize El Greco's theory as "typically Mannerist" and pinpoint its sources in the Neoplatonism of the Renaissance. [35] According to Brown, the painter endeavored to create a sophisticated form of art. [36]
Style and history: Image: Elbląg: Artus Court 1578–1581 Dutch mannerism (architect Hans Schneker of Lindau). The building of the St. George Guild was established and financed by the members of the guild. The official inauguration of the new abode occurred in 1583. It served as a place of meetings of merchants, receptions and performances.
Figura serpentinata (lit. ' serpentine figure') is a style in painting and sculpture, intended to make the figure seem more dynamic, that is typical of Mannerism. It is similar, but not identical, to contrapposto, and features figures often in a spiral pose. [1] Early examples can be seen in the work of Leonardo da Vinci, Raphael and Michelangelo.