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Akai MPC. The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences. The first MPCs were designed by the American ...
Roger Curtis Linn is an American designer of electronic musical instruments and equipment. [1] He is the designer of the LM-1, the first drum machine to use samples, and the MPC sampler, which had a major influence on the development of hip hop. [2] Roger Linn is also a member of the Dead Presidents Society, a group of innovators in the field ...
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Akai (Japanese: 赤井, pronounced) is a Hong Kong manufacturer of consumer electronics.It was founded as Akai Electric Company Ltd in Tokyo, Japan, in 1946. Following the controversial collapse of the original business in 2000, [1] the Akai brand is now owned by Grande Holdings in Hong Kong which distributes various electronic products such as LED TV, washing machines, clothes dryers, air ...
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Electro-mechanical sequencers. Wurlitzer Sideman (1959) Wall of Sound (mid-1940s–1950s) by Raymond Scott —early electro-mechanical sequencer developed by Raymond Scott to produce rhythmic patterns, consistent with stepping relays, solenoids, and tone generators [5] Circle Machine (1959) by Raymond Scott —electro-optical rotary sequencer ...
The latter's successor, the Emulator II (released in 1984), listed for $8,000. [12] Samplers were released during this period with high price tags, such as the K2000 and K2500. Some important hardware samplers include the Kurzweil K250, Akai MPC60, Ensoniq Mirage, Ensoniq ASR-10, Akai S1000, E-mu Emulator, and Fairlight CMI. [32]
Akai S1000. The Akai S1000 is a 16- bit, 44.1 kHz professional stereo digital sampler, released by Akai in 1988. The S1000 was among the first professional-quality 16-bit stereo samplers. [3] Its abilities to splice, crossfade, trim, and loop sound in 16-bit CD quality made it popular among producers in the late 80s through to the mid 90s.