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t. e. The Four Horsemen of the Apocalypse[1] are figures in the Book of Revelation in the New Testament of the Bible, a piece of apocalypse literature attributed to John of Patmos, and generally regarded as dating to about AD 95. Similar allusions are contained in the Old Testament books of Ezekiel and Zechariah, written about six centuries prior.
The race and appearance of Jesus, widely accepted by researchers to be a Judean from Galilee, [1] has been a topic of discussion since the days of early Christianity. Various theories about the race of Jesus have been proposed and debated. [2][3] By the Middle Ages, a number of documents, generally of unknown or questionable origin, had been ...
The Hebrew Bible, or Tanakh, is the collection of scriptures making up the Bible used by Judaism. The same books, in a slightly different order, also make up the Protestant version of the Old Testament. The order used here follows the divisions used in Jewish Bibles. Most of the Hebrew Bible was written between the late 8th century BCE and ...
History. Vincent L. Wimbush traces the history of African American biblical hermeneutics to the earliest encounters African Americans had with the Bible as a consequence of their forced enslavement and exportation from the African soil to the Americas, and the direct and indirect activities of Europeans to convert Africans.
Here in Kolby Church, Denmark, 1550. The Book of Revelation or Book of the Apocalypse is the final book of the New Testament (and therefore the final book of the Christian Bible). Written in Koine Greek, its title is derived from the first word of the text: apokalypsis, meaning 'unveiling' or 'revelation'.
Matthew 7:3. A c. 1619 painting by Domenico Fetti entitled The Parable of the Mote and the Beam. Matthew 7:3 is the third verse of the seventh chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount. This verse continues Jesus ' warnings addressed to those who judge others.
The curse of Cain and the mark of Cain are phrases that originated in the story of Cain and Abel in the Book of Genesis. In the stories, if someone harmed Cain, the damage would come back sevenfold. Some interpretations view this as a physical mark, whereas other interpretations see the "mark" as a sign, and not as a physical mark on Cain himself.
Chokmah appears in the configuration of the sefirot at the top of the right axis, and corresponds to the eyes in the divine image (tzelem Elohim): these are comparable to the two eyes from which two teardrops Fell into the great sea. Chochmah is called eyes, and the right eye Is the upper chochmah and the left eye is the lower chochmah. [15]