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Pancham (svara) Pancham (Pa) Pancham is the fifth svara from the seven svaras of Hindustani music and Carnatic music. [1][2] Pancham is the long form of the syllable प. [3] For simplicity in pronouncing while singing the syllable, Pancham is pronounced as Pa (notation - P). It is also called as पंचम in the Devanagri script.
R. D. Burman. Rahul Dev Burman (pronunciation ⓘ; 27 June 1939 – 4 January 1994) was an Indian music director and actor, who is considered to be one of the greatest and most successful music directors of the Hindi film music industry. From the 1960s to the 1990s, Burman composed musical scores for 331 films, bringing a new level of music ...
Panchakanya, a pre-1945 lithograph from Ravi Varma Press. The Panchakanya (Sanskrit: पञ्चकन्या, romanized: Pañcakanyā, lit. 'Five maidens') is a group of five iconic women of the Hindu epics, extolled in a hymn and whose names are believed to dispel sin when recited. They are Ahalya, Draupadi, Kunti, Tara, and Mandodari.
Aditi (given name) Aishwarya. Akhila. Ambika (given name) Ami (given name) Amita. Amrita. Ananya. Anasuya (given name)
Malkauns is a serious, meditative raga, and is developed mostly in the lower octave (mandra saptak) and in a slow tempo (vilambit laya). Ornaments such as meend, gamak and andolan are used rather than 'lighter' ornaments such as murki and khatka. Komal Ni is generally considered the starting note (graha swara), and the notes komal Ga and komal ...
Sangita. Vadya. v. t. e. A Carnatic concert. The shruti or śruti [ɕrʊtɪ] is the smallest interval of pitch that the human ear can detect and a singer or musical instrument can produce. [1][2] The concept is found in ancient and medieval Sanskrit texts such as the Natya Shastra, the Dattilam, the Brihaddeshi, and the Sangita Ratnakara. [1][3 ...
Katyayani (कात्यायनी) is an aspect of Mahadevi and the slayer of the tyrannical demon Mahishasura. She is the sixth among the Navadurgas, the nine forms of Hindu goddess Durga who are worshipped during the festival of Navaratri. [1] She is depicted with four, ten or eighteen hands.
Shadja is the base or basic svara. It is a very fundamental svara in Classical music. It is fascinating to know that after one raga is sung or played, and when one more raga is to be performed, then the svara Sa is played so that there is no confusion in mixing of svaras in both the ragas that are performed. (Specifically in ragas of the same ...