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Eugène Ionesco (French: [øʒɛn jɔnɛsko]; born Eugen Ionescu, Romanian: [e.uˈdʒen joˈnesku] ⓘ; 26 November 1909 – 28 March 1994) was a Romanian-French playwright who wrote mostly in French, and was one of the foremost figures of the French avant-garde theatre in the 20th century.
The Chairs (French: Les Chaises) is a one-act play by Eugène Ionesco, described as an absurdist "tragic farce".It was first performed in Paris in 1952. [1]For Ionesco's Sandaliha (The Chairs), Bahman Mohasses [2] created a number of decorative and expressive chairs that when put together suggested an abstract forest.
Ionesco, criticized for his early brand of avant-garde work, wrote the play as a responsive satire. Portraying himself as a beleaguered playwright, Ionesco is besieged by three scholarly critics; “Bartholoméus I, II, III and their attempt to replace truth with dogma.
Ionesco told Claude Bonnefoy [fr; ro] in an interview, "I wanted to give a meaning to the play by having it begin all over again with two characters. In this way the end becomes a new beginning but, since there are two couples in the play, it begins the first time with the Smiths and the second time with the Martins, to suggest the ...
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Victims of Duty (French: Victimes du Devoir) is a one-act play written in 1953 by French-Romanian playwright Eugène Ionesco. An early work, it has not received the notoriety of his other works. This play is in the Theatre of the Absurd style, of which Ionesco was a pioneer.
The Lesson (French: La Leçon) is a one-act play by French-Romanian playwright Eugène Ionesco. It was first performed in 1951 in a production directed by Marcel Cuvelier (who also played the Professor). [1] Since 1957 it has been in permanent showing at Paris' Théâtre de la Huchette, on an Ionesco double-bill with The Bald Soprano. [2]
The Théâtre de la Huchette (French pronunciation: [teatʁ də la yʃɛt]) is a theatre in Paris.. This small theatre in Paris' Left Bank, located at 23 rue de la Huchette in the 5th arrondissement, is known for playing Eugène Ionesco's absurdist double-bill of The Lesson and The Bald Soprano in permanent repertory since 1957, as Spectacle Ionesco.