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Several reviewers were baffled by the claim that it was a novel: "Martin Amis’s “Inside Story” contains so much autofiction, metafiction and just plain nonfiction (there’s an index) that one doesn’t know how to classify the book" [6] Others felt the novel was somewhat recycled, with several ideas and character types appearing in ...
Sir Martin Louis Amis FRSL [1] (25 August 1949 – 19 May 2023) was an English novelist, essayist, memoirist, screenwriter and critic. He is best known for his novels Money (1984) and London Fields (1989).
The book was widely praised upon publication. In The New York Times Book Review, critic A.O. Scott wrote that "the publication of Heavy Water, a gathering of nine stories, most of them published in this decade, nearly half in The New Yorker, provides a good opportunity to state plainly what has been apparent for some time: Martin Amis is the best American writer England has ever produced."
The film is a loose adaptation of the 2014 novel by Martin Amis, and when Amis died last year, the obituaries agreed that The Zone of Interest was a high point amid late work that was – put ...
- for non-fiction books by the author. Pages in category "Books by Martin Amis" The following 11 pages are in this category, out of 11 total.
Money: A Suicide Note is a 1984 novel by Martin Amis.In 2005, Time included the novel in its "100 best English-language novels from 1923 to the present". [1] The novel is based on Amis's experience as a script writer on the feature film Saturn 3, a Kirk Douglas vehicle.
The Guardian's reviewer, Alan Hollinghurst, found "Yellow Dog a disturbing book, but its opening pages create a mood of excited reassurance: Martin Amis at his best, in all his shifting registers, his drolleries and ferocities, his unsparing comic drive, his aesthetic dawdlings and beguilements, his wry, confident relish of his own astonishing ...
London Fields is a blackly comic murder mystery novel by the British writer Martin Amis, published in 1989.The tone gradually shifts from high comedy, interspersed with deep personal introspections, to a dark sense of foreboding and eventually panic at the approach of the deadline, or "horrorday", the climactic scene alluded to on the very first page.