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Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord; Root (chord) Seventh chord; Synthetic chord; Thirteenth chord; Tone ...
Both major and minor chords are examples of musical triads, which contain three distinct notes. Triads are often introduced as an ordered triplet: the root; the third, which is above the root by either a major third (for a major chord) or a minor third (for a minor chord);
Minor major seventh chord. A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh.
More tunings of the minor chord are also available in various equal temperaments other than 12-TET. Rather than directly from the harmonic series, Sorge derived the minor chord from joining two major triads; for example the A minor triad being the confluence of the F and C major triads. [13] A–C–E = F–A–C–E–G. Given justly tuned ...
For example, the relative minor of C major is A minor, and in the key of A minor, the i, iv and v chords are A minor, D minor and E minor. In practice, in a minor key, the third of the dominant chord is often raised by one semitone to form a major chord (or a dominant seventh chord if the seventh is added).
This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord. In a jazz context, players have the freedom to add sevenths, ninths, and higher extensions to the chord. In some pop, rock and folk genres, triads are generally performed unless specified in ...
Major Pachelbel's Canon: I–V–vi–iii–IV–I–IV–V: 5: Major Passamezzo antico: i–VII–i–V–III–VII–i–V–i: 4: Minor Passamezzo moderno: I–IV–I–V–I–IV–I–V–I: 3: Major I–V–vi–IV progression: I–V–vi–IV: 4: Major Ragtime progression: III 7 –VI 7 –II 7 –V 7: 5: Major Rhythm changes: I-iv-ii-V ...
Along with the minor triad, the major triad is one of the basic building blocks of tonal music in the Western common practice period and Western pop, folk and rock music. It is considered consonant, stable, or not requiring resolution. In Western music, a minor chord "sounds darker than a major chord", giving off a sense of sadness or somber ...