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Tascam Portastudio 244, 1982. The first Portastudio, the TEAC 144, was introduced on September 22, 1979 at the AES Convention in New York City. [5] The 144 combined a 4-channel mixer with pan, treble, and bass on each input with a cassette recorder capable of recording four tracks in one direction at 3¾ inches per second (double the normal cassette playback speed) in a self-contained unit ...
The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape Korg D888 eight-track digital recorder. Multitrack recording also allows any recording artist to record multiple takes of any given section of their performance, allowing them to refine their performance to virtual perfection by making additional takes ...
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
TASCAM released the new Model series in the Fall of 2018 with the Model 24 integrated 24-track production studio for mixing, recording, and use as a DAW controller. TASCAM followed up with the Model 16, a lower-priced 16-track mixing/recording studio in 2019, and released the Model 12, which introduced MIDI controller capabilities, hardware ...
This was a consumer, or home format based on the much larger and more expensive professional reel-to-reel tape multitrack recording systems that had been built for recording studios by 1954. [2] Professional four-track machines used either one inch or ½-inch tape at a speed of 15 or 30 inches per second (IPS) for the highest quality sound ...
[a] Ampex engineers, who included Ray Dolby on their staff at the time, went on to develop the first practical videotape recorders in the early 1950s to pre-record Crosby's TV shows. 7-inch reel of 1 ⁄ 4-inch-wide (6.4 mm) recording tape, typical of non-professional use in the 1950s–70s. Studios generally used 10 1 ⁄ 2 inch reels on PET ...