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AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
Mixing desk with twenty inputs and eight outputs. Multitracking can be achieved with analogue recording, tape-based equipment (from simple, late-1970s cassette-based four-track Portastudios, to eight-track cassette machines, to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk-based ...
The JH-16 Series of Multitrack Tape Recorders was MCI's first mass-produced series of tape recorders and was produced from 1971 to 1979. The JH-16 designation encompassed three models of tape recorders from MCI with three different transport series, all known as JH-16 series tape recorders: JH-10 (1971-1973), JH-100 (1973-1975), and JH-114 ...
A reel-to-reel tape recorder (Sony TC-630), typical of a 1970s audiophile device. Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel (or feed reel) containing the tape is placed on a spindle or hub.
TEAC A-2300S reel-to-reel stereo recorder The TEAC 2340, a popular 1970s early home multitrack recorder, four tracks on ¼ inch tape TEAC CRC 90 minute audio cassette. The tape reels resemble a reel-to-reel tape. Phase-change Dual Drive TEAC PD-518E with medium TEAC PD-M650. internal Floppy disk drive and memory card reader
This was a consumer, or home format based on the much larger and more expensive professional reel-to-reel tape multitrack recording systems that had been built for recording studios by 1954. [2] Professional four-track machines used either one inch or ½-inch tape at a speed of 15 or 30 inches per second (IPS) for the highest quality sound.
TASCAM also introduced the first low-cost mass-produced multitrack recorders with Simul-Sync designed for recording musicians, and manufactured reel-to-reel tape machines and audio mixers for home recordists from the early 1970s through the mid-1990s. Since the early 00's, TASCAM has been an early innovator in the field-recording and audio ...
Ampex ATR-100. The Ampex ATR-100 is a multitrack tape recorder, designed by Ampex Corporation, of Redwood City, California, United States.It was introduced at the Spring 1976 AES Conference in Los Angeles, [1] and was geared towards the ultra high end studio market.