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A limiter is a compressor with a high ratio and, generally, a short attack time. Compression is used to improve performance and clarity in public address systems, as an effect and to improve consistency in mixing and mastering. It is used on voice to reduce sibilance and in broadcasting and advertising to make an audio program stand out.
Limiting can refer to a range of treatments designed to limit the maximum level of a signal. Treatments in order of decreasing severity range from clipping, in which a signal is passed through normally but sheared off when it would normally exceed a certain threshold; soft clipping which squashes peaks instead of shearing them; a hard limiter, a type of variable-gain audio level compression ...
The way the 1176 sounds, and specifically, the way all-button mode sounds, is partially due to its being a program dependent compressor. The attack and release are program dependent, as is the ratio. The 1176 will faithfully compress or limit at the selected ratio for transients, but the ratio will always increase a bit after the transient.
The Fairchild 660 is a tube-based single-channel audio compressor invented by Rein Narma and manufactured by the Fairchild Recording Equipment Corporation beginning in 1959. The 660 was the first intelligent automatic volume control limiter. [1] The Fairchild 670, introduced shortly after the 660, is a dual-channel version. [2]
A compressor with high compression ratio is typically referred to as a limiter. The speed that the compressor adjusts the gain of the signal (attack and release) is typically adjustable as is the final output or make-up gain of the device. Compressor applications vary widely.
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The LA-2A has simple controls: a Peak-Reduction knob controls the gain of the side-chain circuit, and therefore, the gain reduction; a Gain Control for make-up gain; and a Limit/Compress switch which alters the compression ratio. The VU meter may also be switched to show the gain reduction or output level.