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The title of a work of art is a part of its identity and can influence its reception and interpretation by audiences, as noted by art critic Arthur Danto, [22] who made a thought experiment of a particular abstract mural being named after either the first or third of Newton's laws of motion; however, titles can be more impactful on the ...
For a title with no owner's name or location in it to be italicized, it has to be plausible to some degree that the creator would have considered the name we know an object by as its title. If the title requires disambiguation, add the surname of the artist in parentheses afterwards, e.g. Reading the Letter. It is generally better to ...
Tribal titles give the title-holder authority over a bloodline rather than a physical geography. Institutional titles are mostly confined to a specific campus, corporation, temple, or other private or semi-public institution. Divisional is applied to most military & police ranks, with the number of people under that rank's command listed when ...
The following is an alphabetical list of works of art that are often called by a non-English name in an English context. (Of course, many such titles are simply the names of people: Don Quixote, Irma la Douce, Madame Bovary, Tosca, Pelléas et Mélisande.
image artwork sharing website: various (15 million CC licensed) [46] Flickr: user photo uploading and sharing service: various CC licenses (350 million CC images of 6+ billion images [47] [48]) Mapillary: Over 30 million free photos: CC BY-SA: Metropolitan Museum of Art: paintings and artworks: CC0 (375.000) [49] Mushroom Observer
Title Year Dimensions Museum Portrait of Renoir's Mother: 1860: 45 cm × 36 cm (18 in × 14 in) Private collection Mademoiselle Romaine Lacaux: 1864: 81.3 cm × 65 cm (32.0 in × 25.6 in) Cleveland Museum of Art, Cleveland, Ohio, U.S. [4] Portrait of Alfred Sisley: 1864: 81 cm × 65 cm (32 in × 26 in) Foundation E.G. Bührle, Zürich [5] Girl ...
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His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. [2] [3] [4] Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as ...