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The New Formalism is a movement originating ca. 1977 in American poetry that promotes a return to metrical and rhymed verse. [101] [102] Rather than looking to the Confessionalists, they look to Robert Frost, Richard Wilbur, James Merrill, Anthony Hecht, and Donald Justice for poetic influence.
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American poetry that emerged in the late 1950s, often brutally, exposes the self as part of an aesthetic of the beauty and power of human frailty [117] Robert Lowell, Sylvia Plath, Alicia Ostriker: Village Prose: A movement in Soviet literature beginning during the Khrushchev Thaw, which included works that cultivated nostalgia of rural life [118]
New Formalism is a late 20th- and early 21st-century movement in American poetry that has promoted a return to metrical, rhymed verse and narrative poetry on the grounds that all three are necessary if American poetry is to compete with novels and regain its former popularity among the American people.
Emily Dickinson. American poetry refers to the poetry of the United States.It arose first as efforts by American colonists to add their voices to English poetry in the 17th century, well before the constitutional unification of the Thirteen Colonies (although a strong oral tradition often likened to poetry already existed among Native American societies). [1]
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A literary movement called the language poets formed as a reaction against confessional poetry and took as their starting point the early modernist poetry composed by Gertrude Stein, William Carlos Williams, and Louis Zukofsky. Despite this, Language poetry has been called an example of postmodernism in American poetry.
For example, it was a letter from the Revival poet Andrew Crozier which prompted Rakosi's return to poetry. Amidst the continuous reappraisals, critical and otherwise, of the legacy and literary formation of the Objectivists, a well known mapping of the territory continues to be one put forth by poet Ron Silliman : "three-phase Objectivism".