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The prose genre has been used and explored by writers like Walt Whitman, Franz Kafka, Naomi Shihab Nye, and Anne Carson. Almost every form of art can be categorized under either the prose or poetry genre. Poetry covers forms like song lyrics, different poetry forms, and dialogue that contains poetic characteristics like iambic pentameter.
The rejection of traditional forms and structures for poetry that began in the first half of the 20th century coincided with a questioning of the purpose and meaning of traditional definitions of poetry and of distinctions between poetry and prose, particularly given examples of poetic prose and prosaic poetry.
Prose literature can largely be said to begin with Herodotus. [7] Over time, several genres of prose literature developed, [7] but the distinctions between them were frequently blurred. [7] Among the found papyri, the most frequently found are the works of Homer, in 1680 fragments, Demosthenes, 204 fragments, and Euripides, 170 papyri. [8]
Epic poetry: narrative poetry about extraordinary feats occurring in a time before history, involving religious underpinnings and themes. Fabulation: A class composed mostly of 20th-century novels that are in a style similar to magical realism, and do not fit into the traditional categories of realism. Folklore (folktale) Animal tale
The distinctions between genres and categories are flexible and loosely defined, and even the rules designating genres change over time and are fairly unstable. [2] Genres can all be in the form of prose or poetry.
The derived adjective prosimetrical occurs in English as early as Thomas Blount’s Glossographia (1656) where it is defined as "consisting partly of Prose, partly of Meteer or Verse". [7] Works such as historical chronicles and annals, which quote poetry previously composed by other authors, are not generally regarded as "true" prosimetra. [8]
This form has been known in many different cultures. In some cases the rhymed prose is a distinctive, well-defined style of writing. In modern literary traditions the boundaries of poetry are very broad (free verse, prose poetry, etc.), and some works may be described both as prose and poetry.
Parallelism as a rhetorical device is used in many languages and cultures around the world in poetry, epics, songs, written prose and speech, from the folk level to the professional. An entire issue of the journal Oral Tradition has been devoted to articles on parallelism in languages from all over. [ 3 ]