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At the time of the prose poem's establishment as a form, French poetry was dominated by the alexandrine, a strict and demanding form that poets starting with Maurice de Guérin (whose "Le Centaure" and "La Bacchante" remain arguably the most powerful prose poems ever written [according to whom?]) and Aloysius Bertrand (in Gaspard de la nuit ...
Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. [1] The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language."
Rhymed prose is a literary form and literary genre, written in unmetrical rhymes. This form has been known in many different cultures. This form has been known in many different cultures. In some cases the rhymed prose is a distinctive, well-defined style of writing.
For poetry, recommended authors (inexhaustibly) include: Ovid, Martial, Tibullus, and Catullus, rather than poets such as Horace, Juvenal, or Lucan. [5] For practice with sight reading in both poetry and prose, the College Board recommends additional Latin passages in the Aeneid and Gallic War that are not included in the required reading list.
A prose poem – is a composition in prose that has some of the qualities of a poem. [8] Haikai prose – combines haiku and prose. Prosimetrum – is a poetic composition which exploits a combination of prose and verse (metrum); [9] in particular, it is a text composed in alternating segments of prose and verse. [10]
Unrestrained by traditional boundaries, the poet possesses more license to express and has more control over the development of the poem. This can allow for a more spontaneous and individualized poetic art product. Technically, free verse has been described as spaced prose, a mosaic of verse and prose experience. [43]
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...
Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph. [4] Verse in the second sense is also used pejoratively in contrast to poetry to suggest work that is too pedestrian or too incompetent to be classed as poetry.