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The Masnavi, or Masnavi-ye-Ma'navi (Persian: مثنوی معنوی, DMG: Mas̲navī-e maʻnavī), also written Mathnawi, or Mathnavi, is an extensive poem written in Persian by Jalal al-Din Muhammad Rumi, also known as Rumi. It is a series of six books of poetry that together amount to around 25,000 verses or 50,000 lines.
Rumi's ghazal 163, which begins Beravīd, ey harīfān "Go, my friends", is a Persian ghazal (love poem) of seven verses by the 13th-century poet Jalal-ed-Din Rumi (usually known in Iran as Mowlavi or Mowlana). The poem is said to have been written by Rumi about the year 1247 to persuade his friend Shams-e Tabriz to come back to Konya from ...
The Mathnawí of Jalálu'ddín Rumi, edited from the oldest manuscripts available, with critical notes, translation and commentary by Reynold A. Nicholson, in 8 volumes, London: Messrs Luzac & Co., 1925-1940. Contains the text in Persian. First complete English translation of the Mathnawí
The English interpretations of Rumi's poetry by Coleman Barks have sold more than half a million copies worldwide, [98] and Rumi is one of the most widely read poets in the United States. [99] There is a famous landmark in Northern India , known as Rumi Gate , situated in Lucknow (the capital of Uttar Pradesh ) named for Rumi.
Mathnawi (Arabic: مثنوي, mathnawī) or masnavi (Persian: مثنوی, mas̲navī) is a kind of poem written in rhyming couplets, or more specifically "a poem based on independent, internally rhyming lines". Most mathnawī poems follow a meter of eleven, or occasionally ten, syllables, but had no limit in their length. [1]
Illuminated frontispiece of the poetry of Rumi, c. 1461. The Sufi conception of love was introduced first by Rabia of Basra, a female mystic from the eighth century. Throughout Rumi's work the "death" and "love" appear as the dual aspects of Rumi's conception of self-knowledge. Love is understood to be "all-consuming" in the sense that it ...
While following the long tradition of Sufi poetry as well as the traditional metrical conventions of ghazals, the poems in the Divan showcase Rumi’s unique, trance-like poetic style. [3] Written in the aftermath of the disappearance of Rumi’s beloved spiritual teacher, Shams-i Tabrizi , the Divan is dedicated to Shams and contains many ...
The book has been translated into English under the title Discourses of Rumi by A. J. Arberry in 1961 and consists of 71 discourses. Another translation by Dr. Bankey Behari was published in 1998 under the title Fiha Ma Fiha, Table Talk of Maulani Rumi (DK Publishers, New Delhi), ISBN 81-7646-029-X .