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From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score. The score image in the background was taken from the beginning of the first printed book of music, the Harmonice Musices Odhecaton. It was published in Venice, Italy in 1501 by Ottaviano Petrucci, the library's namesake. [5] [non-primary source needed]
According to Cooper, Beethoven composed the work around 1786, when he was 15 years old. [3] The intended recipient is supposed to be the Count Friedrich Von Westerholt, an amateur bassoonist, whose daughter Anna Maria was taking piano lessons from Beethoven.
Allegro (E-flat major), 4 4; Adagio cantabile (A-flat major), 34; Scherzo. Allegro assai (E-flat major, with trio in A-flat major), 3 4; Finale. Presto (E-flat major), 2 4; The first movement opens with an ascending arpeggiated figure (a so-called Mannheim Rocket, like that opening the first movement of the composer's own Piano Sonata no 1, Opus 2 no 1), [3]
The Ruins of Athens (Die Ruinen von Athen), Op. 113, is a set of incidental music pieces written in 1811 by Ludwig van Beethoven.The music was written to accompany the play of the same name by August von Kotzebue, for the dedication of the new Deutsches Theater Pest [] in Pest, Hungary.
The Library of Congress: Historic American Sheet Music: 1850–1920: American: 3,042 19th and early 20th-century American sheet music drawn from the Rare Book, Manuscript, and Special Collections Library at Duke University. The Library of Congress: The Library of Congress: Music for the Nation: American Sheet Music 1870–1885: 19th-century ...
It was written about 1801, after the second Romance, and was published 1803, two years before the publication of the second. Thus, this romance was designated as Beethoven's first. [1] The Romance, Op. 40, is scored for violin solo and an orchestra of strings, two oboes, two bassoons, two horns and flute. The duration is about 8 minutes. [1]
The Bagatelles, Op. 33, for solo piano were composed by Ludwig van Beethoven (1770–1827) in 1801–02 and published in 1803 through the Viennese publisher Bureau des arts et d'industrie. The seven bagatelles are quite typical of Beethoven's early style, retaining many compositional features of the early Classical period .
Although this was Beethoven's first piano concerto to be published, it was actually his third attempt at the genre, following an unpublished piano concerto in E-flat major of 1784 and the Piano Concerto No. 2. The latter was published in 1801 in Leipzig after the Piano Concerto No. 1, but was composed over a period of years, perhaps beginning ...