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Vietnamese karaoke with sing-along lyrics often come in the genres of ballad, bolero or like cải lương. Vietnamese ballad and bolero music such at those from Paris by Night or from Vietnamese music productions in Vietnam still remain one of the most popular genres of slow-tempo music for Vietnamese people. Some examples are Love in the ...
Hát hay, hay hát; Hát tự nhiên ; Hậu trường vui nhộn; Hết ga; Hiphop Zone; Hit tôi yêu; Hot Music; I - music; If You Can - Nếu bạn có thể; I Love K-Pop; I Love Music; I-movie; Jukeon; K Music; Kênh thứ 7; Key Life; Khoảnh khắc thay đổi số phận; Leo's Show; K-Pop Zone; Mic Rubic; Mirinda; Mồ hôi tím
During the 1970s, V-pop was limited to Nhạc trẻ Sài Gòn (Youth music of Saigon, now called Ho Chi Minh City) or Kích động nhạc (Exciting music). After 1975, the Nhạc trẻ Sài Gòn scene, which encompasses vibrant, fun folk songs, was outlawed. [1]
By the 1930s, when Trío Matamoros made famous their mix of bolero and son cubano known as bolero-son, the genre was a staple of the musical repertoire of most Latin American countries. [10] In Spain, Cuban bolero was incorporated into the copla repertoire with added elements from Andalusian music , giving rise to the so-called bolero moruno ...
This branch of music was generated from the yellow music in Vietnam.Yellow music (nhạc vàng) refers to music produced in South Vietnam during the Vietnam War, named in opposition to red music (nhạc đỏ) endorsed by the socialist government of North Vietnam during the era of the Vietnamese War.
Broadcast Title Eps. Prod. Cast and crew Theme song(s) Genre Notes 11 Mar–3 Jul [17] [18] [19] [20]Trạm cứu hộ trái tim (Heart Rescue Station) 51 VFC Vũ Trường Khoa (director); Nguyễn Thu Thủy, Nguyễn Nhiệm, Thùy Dương, Lương Ly, Đỗ Lê (writers); Hồng Diễm, Quang Sự, Trương Thanh Long, Lương Thu Trang, Đồng Thu Hà, Phạm Cường, Mỹ Uyên, Thúy ...
Nhạc đỏ or literally Red Music is the common name of the revolutionary music (nhạc cách mạng) genre in Vietnam. [1] Red Music was formed during the communist Việt Minh and the First Indochina War and later strongly promoted across communist North Vietnam during the Vietnam War, to urge Northerners to achieve reunification under the Workers' Party of North Vietnam and fight against ...
Che Linh's musical career strongly excelled, and his first two songs were born: "Dem buon tinh le” and “Dem buoc co don” Recognizing that music is the shortest way to bring understanding between the Kinh and the Chams and all the other ethnic groups, Che Linh promised to continue and excel in the musical industry.