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The nasolabial folds, commonly known as "smile lines" [1] or "laugh lines", [2] [self-published source] are facial features. They are the two skin folds that run from each side of the nose to the corners of the mouth. They are defined by facial structures that support the buccal fat pad. [3] They separate the cheeks from the upper lip.
The earliest text to mention the Aphrodite is Pliny the Elder's Natural History, [2] which reports that Praxiteles carved two sculptures of Aphrodite, one clothed and one nude; the clothed one was bought by the people of Kos and the Knidians bought the nude one. [3] The statue was set up as the cult statue for the Temple of Aphrodite at Knidos.
[2] [3] Typically, a Crouching Venus will show the goddess kneeling after bathing, looking at her right after being alarmed, usually trying to conceal her nakedness with her hands. [2] The Aphrodite of Rhodes shows a unique variation where the goddess, rather than trying to hide her form in modesty, lifts her hair in her fingers to dry it, and ...
The Aphrodite of Knidos and Her Successors: A Historical Review of the Female Nude in Greek Art. University of Michigan Press. ISBN 978-0-472-03277-8. Moormann, Eric M. (2003). "Review of Laurentino García y García, Luciana Jacobelli, Louis Barré, 2001. Museo Segreto. With a Facsimile edition of Herculanum et Pompéi.
He is the masculine version of Aphrodite. Aphroditus was portrayed as having a female shape and clothing like Aphrodite's but also a phallus, and hence, a male name. [2] This deity would have arrived in Athens from Cyprus in the 4th century BC. In the 5th century BC, however, there existed hermae of Aphroditus, or phallic statues with a female ...
The Kaufmann Head in the Musée du Louvre, a Roman copy of the Aphrodite of Knidos, which Phryne is said to have modelled for.. Phryne (Ancient Greek: Φρύνη, [a] before 370 – after 316 BC) was an ancient Greek hetaira (courtesan).
In a tentative attempt to reconstruct his career, the original Aphrodite of Thespiae would be a work from his youth in the 360s BC, and this partially draped female (frequently repeated in the Hellenistic era, such as the Venus de Milo) is a prelude to his fully naked c. 350 BC Cnidian Aphrodite. [4]
The statue is an over-life sized representation of Athena, with a height of 2.35 meters (approximately 8 feet). She stands contraposto and wears a peplos that is open on the right side. She also wears a Corinthian helmet decorated with griffins on the sides of the helm and owls on the cheek pieces; the crest of the helmet has a serpent wrapped ...