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Basilica of San Vitale, Ravenna, 548. Italy has the richest concentration of Late Antique and medieval mosaics in the world. Although the art style is especially associated with Byzantine art and many Italian mosaics were probably made by imported Greek-speaking artists and craftsmen, there are surprisingly few significant mosaics remaining in the core Byzantine territories.
Micromosaic brooch set in black glass, c. 1875, of the Pantheon Byzantine mosaic icon, 45 cm high, 13th century.. Micromosaics (or micro mosaics, micro-mosaics) are a special form of mosaic that uses unusually small mosaic pieces of glass, or in later Italian pieces an enamel-like material, to make small figurative images. [1]
Overview. The Mosaic ceiling of the Florence Baptistery is a set of mosaics covering the internal dome and apses of the Baptistery of Florence.It is one of the most important cycles of medieval Italian mosaics, created between 1225 and around 1330 using designs by major Florentine painters such as Cimabue, Coppo di Marcovaldo, Meliore and the Master of the Magdalen, probably by mosaicists from ...
Ewer made by Salviati & Co, now in Walters Art Museum.. A family called Salviati were glass makers and mosaicists in Murano, Venice and also in London, working as the firm Salviati, Jesurum & Co. of 213 Regent Street, London; also as Salviati and Co. and later (after 1866) as the Venice and Murano Glass and Mosaic Company (Today Pauly & C. - Compagnia Venezia Murano).
The mosaics are made of glass tesserae and were executed in Byzantine style between the late 12th and the mid-13th centuries by local masters. [2] With the exception of a high dado, made of marble slabs with bands of mosaic between them, the whole interior surface of the walls, including soffits and jambs of all the arches, is covered with minute mosaic-pictures in bright colors on a gold ground.
Paul Hetherington, Pietro Cavallini: a study in the art of Late Medieval Rome, The Sagittarius Press, London 1979. ISBN 978-0-9503163-3-8; Angiola Maria Romanini, The Eyes of Isaac. Classicism and scientific curiosity between Giotto and Arnolfo di Cambio, in "Medieval art", ns, I (1987). Emma Simi Varanelli, From Isaac Master in Giotto.