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A B-Bender is a guitar accessory that enables a player to fluidly alter the pitch of a guitar's B-string. This works by mechanically bending the B-string through the use of a series of levers and/or pulleys attached to an external lever that is controlled by the player.
The first production model was called the American Standard B-Bender Telecaster. This guitar included two American Standard pickups and a 3-way selector switch. The guitar body was solid alder wood with a 1952-style sharp radius, a 1-piece maple neck and maple fretboard with rolled edges, 25.5 inch (648 mm) scale with 22 medium-jumbo frets, die-cast tuners and a 3-ply pickguard.
This is the original B-Bender guitar, built by White and Gene Parsons around 1967, designed to allow the guitarist to manually raise the guitar's 'B' string one whole step to play pedal steel style licks. Marty Stuart bought this unique guitar in 1980 from White's widow. [15] [16] [17]
Clarence White (1944–1973) of the Byrds, along with drummer Gene Parsons, invented the B-Bender device for the Tele for emulating pedal steel guitar effects. [ 94 ] Don Rich (1942–1974) made the bassy rhythms and " chicken pickin' " of his custom sparkle-finish Telecaster an indispensable part of the Bakersfield sound while playing with ...
The American Nashville B-Bender guitar is modeled after the personally customized instruments of some of Nashville's top players, featuring a Fender/Parsons/Green B-Bender system, two American Tele single-coils (neck, bridge), a Texas Special Strat single-coil (middle) and five-way "Strat-O-Tele" pickup switching. Ideal for country bends and ...
Bending is an important component in the style of several renowned players, such as Eric Clapton, who uses copious amounts of string bending to articulate blues licks and Buck Trent, who electrified a solid body electric banjo and implemented tuner keys and D and B benders in country music.
Gene Parsons was born on September 4, 1944, on his family's farm in Morongo Valley in the Mojave Desert, California. [2] [3] His professional musical career began when he joined up with guitarist and Fiddle player Gib Guilbeau in the duo Guilbeau & Parsons. [4]
A 1966 Vox Tone Bender fuzz pedal. Released in 1965, Sola Sound's Tone Bender was a re-creation of the popular Maestro Fuzz-Tone, but with more sustain and intended for the European market. For U.S. distribution, Vox released a version in 1967 based on Sola Sound's MK1.5 Tone Bender update, one of many the pedal went through. With different ...