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The Witches (formerly titled The Witches' Sabbath) is a chiaroscuro woodcut by German Renaissance artist Hans Baldung. This woodcut depicts witches preparing to travel to a Witches' Sabbath by using flying ointment. This is the first woodcut produced by Baldung after leaving the studio of his mentor, Albrecht Dürer, and one of the first ...
Hans Baldung (1484 or 1485 – September 1545), called Hans Baldung Grien, [a] (being an early nickname, because of his predilection for the colour green), was a painter, printer, engraver, draftsman, and stained glass artist, who was considered the most gifted student of Albrecht Dürer and whose art belongs to both German Renaissance and Mannerism.
The Witches (Hans Baldung) Witches' Sabbath (The Great He-Goat) Witches' Sabbath (Goya, 1798) This page was last edited on 6 October 2024, at 18:21 (UTC). Text is ...
The Witches' Sabbath by Hans Baldung (1510) Witches' Sabbath by Frans Francken (1606) Witches' Sabbath in Roman Ruins by Jacob van Swanenburgh (1608) As a recent translation from the original Spanish El aquelarre to the English title Witches' Sabbath (1798) and Witches' Sabbath or The Great He-Goat (1823) both works by Francisco Goya
The Seven Ages of Woman is a painting (1544) by the German painter Hans Baldung, called Grien, executed in oil paint on linden wood. [1] It is part of the collection of the Museum der bildenden Künste in Leipzig, Germany.
Hans Baldung Grien's Three Witches, c. 1514. Part of ... The point was that a widespread belief in the conspiracy of witches and a witches' Sabbath with the devil ...
The Freiburg Altarpiece is an oil on wood panel altarpiece, created for the high altar of Frieburg Minster by the German Renaissance painter and printmaker, Hans Baldung Grien. [1] [2] The altarpiece is a polyptych with eleven panels created by Baldung and members of his studio. Baldung lived in Freiburg from 1512 to 1517 as he worked on the ...
The Witches' Sabbath by Hans Baldung (woodcut), 1508. Writer Chris Fujiwara notes the way in which the film "places together, on the same level of cinematic depiction, fact and fiction, objective reality and hallucination."