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Ben (Colin Firth) awakens from a coma to discover his wife has been killed in a car accident.A few weeks later, Ben is out of the hospital and, attempting to start a new life, he moves home and is befriended by a beautiful young neighbour Charlotte (Mena Suvari).
Trauma is a 1993 Italian horror film [1] directed by Dario Argento and starring Asia Argento, Christopher Rydell, Piper Laurie, and Frederic Forrest. Set in Minneapolis, Minnesota , it follows a troubled teenage girl who, with the help of a boyfriend, attempts to stop a serial killer who murdered her parents.
In San Juan, Puerto Rico, Madison Taylor (Nicky Whelan) is injured when she's caught in the crossfire of two corrupt cops, Pierce and Tull (Texas Battle).. Madison wakes up in a hospital and as a witness of one of their vicious crimes, she’s placed under the protection of respected police lieutenant Steve Wakes (Bruce Willis).
Trauma is an American medical drama television series created by Dario Scardapane which was aired on NBC from September 28, 2009 to April 26, 2010. The series focused on a group of paramedics in San Francisco , California .
Trauma Center is an American medical drama that aired on ABC from September 22, 1983 to December 8, 1983. [1]In the run-up to the 1983–84 fall season, the series was promoted on-air and in the Fall Preview issue of TV Guide as Medstar, but was changed to Trauma Center prior to the first air-date.
Trauma most often refers to: Psychological trauma , in psychology and psychiatric medicine, refers to severe mental injury caused by a distressing event Traumatic injury , sudden physical injury caused by an external force, which does not rise to the level of major trauma
Rotten Tomatoes reports an approval rating of 100% based on 10 reviews, with an average rating of 6.8/10. The site's critics' consensus reads: 'What Trauma lacks in originality it more than makes up for in gripping performances from well-matched leads Adrian Lester and John Simm.' [4] The Guardian found the first episode intriguing and praised the execution. [5]
Katie Walsh of the Los Angeles Times wrote that while the narrative was lacking in "structural integrity", Zollo and Duke "create a courageously personal, experimental piece, tapping into a raw emotional state not often rendered on screen with such depth and intelligence." [2]