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An emulsion lift, or emulsion transfer, is a process used to remove the photographic emulsion from an instant print. The emulsion can then be transferred to another material, such as glass, wood or paper. [1] The emulsion lift technique can be performed on peel-apart film and Polaroid Originals integral film, but not on Fujifilm Instax film ...
The practice that created dye diffusion transfer prints was first introduced by Edwin H. Land in 1947, who called the technique the Polaroid-Land process. These initial prints were made in sepia tone, and as chemistry progressed, true black and white prints were launched by 1950, and color prints followed in 1963. [ 2 ]
Victor G. Skellern [1] (1909–1966) was a British ceramics designer and stained glass producer who was the art director at Wedgwood from 1934 to 1965. He helped to modernise Wedgwood, and his design work was a factor in the company's resurgence after 1935. He was also known for employing well-known designers from outside the company.
Connick's 73-foot (22 m) tall transept windows of Heinz Memorial Chapel at the University of Pittsburgh are among the tallest in the world. Connick preferred to use clear "antique" glass, similar to that of the Middle Ages and praised this type of glass as "colored radiance, with the lustre, intensity, and baffling vibrant quality of dancing lights."
Conservation-restoration is the practice of cleaning and discovering the original state of an object, investigating the proper treatments and applying those treatments to restore the object to its original state without permanently altering the object, and then preserving the object to prevent further deterioration for generations to come (Caple, p. 5-6). [1]
Stephen Knapp (October 15, 1947 – November 24, 2017) [1] was an American artist best known for his use of the medium of lightpainting.A native of Worcester, Massachusetts, he gained an international reputation for large-scale works of art held in museums, public, corporate, and private collections, which are executed in media as diverse as light, kiln-formed glass, metal, stone, mosaic, and ...
"His Master's Voice" window, RCA Victor building, Camden, NJ, 1916 (National Museum of American History) Nicola D'Ascenzo (September 25, 1871, Torricella Peligna, Italy – April 13, 1954, Philadelphia, Pennsylvania) was an Italian-born American stained glass designer, painter and instructor.
By Hammer and Hand: The Arts and Crafts Movement in Birmingham, ed. Alan Crawford, Birmingham Museums and Art Gallery 1984, pp. 125–6 "Margaret Agnes Rope (1883-1953): A new perspective on a unique stained glass artist", by Marian Crenshaw Austin, MA thesis in Stained Glass Conservation and Heritage Management, University of York, England, 2010