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Aesthetic Theory was edited by Gretel Adorno (the philosopher's widow) and Rolf Tiedemann from Adorno's working drafts. [4] It was assembled from unfinished manuscripts Adorno had composed between May 4, 1961, and July 16, 1969, mainly between October 25, 1966, and January 24, 1968.
Adorno's posthumously published Aesthetic Theory (1970), which he planned to dedicate to Samuel Beckett, is the culmination of a lifelong commitment to modern art, which attempts to revoke the "fatal separation" of feeling and understanding long demanded by the history of philosophy, and explode the privilege aesthetics accords to content over ...
When Theodor Adorno died suddenly in 1969 without having finalised the manuscript of Aesthetic Theory, Gretel Adorno and Adorno's former student Rolf Tiedemann took up the task of bringing that document to completion and publication. They discuss in the Editor's Afterword how "Adorno’s metaphor for works of art applies literally to the last ...
The following is a list of the major work by Theodor W. Adorno, a 20th-century German philosopher, sociologist and critical theorist associated closely with the Frankfurt School. This list also includes information regarding English translation.
This work foregrounds Adorno's cultural criticism, especially his engagement with European literature and aesthetic theory. [6] Adorno's aesthetic theory becomes the focus of Hohendahl's second Adorno monograph. [7] In this study Hohendahl emphasizes the radical nature of Adorno's theory, going beyond the standard claim of aesthetic autonomy.
Adorno's work has had a large impact on cultural criticism, particularly through Adorno's analysis of popular culture and the culture industry. [10] Adorno's account of dialectics has influenced Joel Kovel, [11] the sociologist and philosopher John Holloway, the anarcho-primitivist philosopher John Zerzan, [12] the sociologist Boike Rehbein, [13] and the Austrian musicologist Sebastian Wedler.
This is a list of important and seminal works in the field of critical theory. Otto Maria Carpeaux. História da Literatura Ocidental, 8 vol. (Portuguese, 1959–66) [1] M. H. Abrams. The Mirror and the Lamp: Romantic Theory and the Critical Tradition; Angela Davis. Women, Race, and Class; Are Prisons Obsolete? Theodor Adorno. Aesthetic Theory ...
Theodor Adorno felt that aesthetics could not proceed without confronting the role of the culture industry in the commodification of art and aesthetic experience. Hal Foster attempted to portray the reaction against beauty and Modernist art in The Anti-Aesthetic: Essays on Postmodern Culture.