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Cool Women in History: Herself (host and executive producer) Season 1 2002 Malcolm in the Middle: Meg 2 episodes 2003 Ice Bound: A Woman's Survival at the South Pole: Dr. Jerri Nielsen: Television film Frank Herbert's Children of Dune: Princess Wensicia: 3 episodes 2004 Troy: The Passion of Helen: Herself (host) Television documentary 2005 The ...
It centers on the unlikely relationship between a young upper middle class widower (Spader) who falls in love with a middle-aged working class waitress (Sarandon) in St. Louis, Missouri. The original music score was composed by George Fenton. The film is marketed with the tagline "The story of a younger man and a bolder woman".
Nita Mukesh Ambani (née Dalal, born 1 November 1964) [1] is an Indian philanthropist and businesswoman. [5] She is the chairperson and founder of the Reliance Foundation, Dhirubhai Ambani International School and a director of Reliance Industries. [6] [7] She is married to Reliance Industries Limited's chairman and managing director Mukesh ...
The screenplay, by Susan Isaacs, was adapted from her 1978 novel. The plot concerns a Long Island housewife and former journalist who becomes involved in a murder investigation. The film stars Susan Sarandon, Raúl Juliá, Judith Ivey, Edward Herrmann, Mary Beth Hurt, Joe Mantegna, Deborah Rush, Anne De Salvo, and Josh Mostel.
Arbitrage is a 2012 American crime drama film directed by Nicholas Jarecki, and starring Richard Gere, Nate Parker, Susan Sarandon, Tim Roth and Brit Marling. [3] Filming began in April 2011 in New York City. It opened in U.S. theaters in September 2012.
With her new job title, Nita Ambani has become the most powerful woman in Indian media and entertainment sector, which is worth over $25 billion and growing rapidly.
Among the cast is Jonathan Bricklin, a writer and entrepreneur from New York who also happened to be dating someone very famous while shooting. The first episode provides an intimate look inside ...
Sarandon is topnotch." [7] Time Out New York says it "subscribes to conventions as old as the hills and twice as rocky, burying any hints of feminist awareness beneath the routines of macho courtship. Faced with direction paced at a lethargic crawl and dialogue of inconceivable banality, the cast respond with performances of glazed charm." [8]