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While preprinted embroidery patterns had long existed, it was Philena Moxley of Lowell, Massachusetts who first developed a business stamping embroidery and rug hooking designs about 1868-1871. [ 1 ] : 13 At about the same time, Edward Sands Frost of Maine developed a successful rug kit making business catering to women in Northern New England.
Through her books and dye workshops, she championed rug-hooking's evolution from a plain craft to a folk art, insisting on high standards of fabrication and steering her students away from commercial patterns towards more personalized designs. [2] In 1940, McGown organized an exhibition of hooked rugs that became an annual event.
Kilim are therefore called flatweave or flatware rugs. [1] To create a sharp pattern, weavers usually end each pattern element at a particular thread, winding the coloured weft threads back around the same warps, leaving a narrow gap or slit. These are prized by collectors for the crispness of their decoration.
The rugs continued to be popular through the 19th century. The design motifs on early American hooked rugs varied, consisting predominantly of geometric patterns, floral designs, landscapes, seascapes and animals. No matter what the motif, hooked rugs displayed a great sense of individual expression.
Lillian Burke, standing left, with short bob haircut, shown with 648 sq. ft. hooked Savonnerie rug, reputed to be the largest ever created. Lillian Burke (October 4, 1879 – April 13, 1952) was an American artist, teacher, musician and occupational therapist chiefly known for developing a hooked-rug cottage industry in the village of Chéticamp, Cape Breton.
Nowadays, many people seem to have found themselves hooked on some sort of a hands-on activity. According to Statista , in the last couple of years, roughly a quarter of Americans engaged in DIY ...