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The bass clarinet has been regularly used in scoring for orchestra and concert band since the mid-19th century, becoming more common during the middle and latter part of the 20th century. [6] A bass clarinet is not always called for in orchestra music, but is almost always called for in concert band music.
The progression has its origins in the various Baroque harmonizations of the descending chromatic fourth in the bass ostinato pattern of passacaglia, known as the "lament bass". [2] However, in its fullest form the omnibus progression involves a descent in the bass which traverses a whole octave and includes every note of the chromatic scale.
C bass clarinet C 3: Bass clarinet B ♭ 2: Contra-alto clarinet: E ♭ 2: Contrabass clarinet: B ♭ 1: Octocontra-alto clarinet E ♭ 1: B ♭ octocontrabass clarinet B ♭ 0: Cornet Soprano cornet: E ♭ 4: Cornet: B ♭ 3: Crotales: C 6: Csakan: A ♭ 4: Euphonium: B ♭ 2: When notated in treble clef fife Folk B ♭ fife: A ♭ 4: Flute: D ...
F major is the home key of the English horn, the basset horn, the horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. These instruments sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher.
Bass clarinet — An octave below the B ♭ clarinet often with an extended low range. B ♭ bass clarinet — The standard bass. Common variants extend to either low C or low E ♭. “A” bass clarinet — Very rare today, more common around 1900, though bass clarinets in A and C as well as B ♭ were being advertised at least through 1927. [7]
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music. Tonality (from "Tonic") or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale. [1]
Although E-sharp minor is usually notated as F minor, it could be used on a local level, such as bars 17 to 22 in Johann Sebastian Bach's The Well-Tempered Clavier, Book 1, Prelude and Fugue No. 3 in C-sharp major. (E-sharp minor is the mediant minor key of C-sharp major.) The scale-degree chords of E-sharp minor are: Tonic – E-sharp minor
This is a category for all transposing instruments that sound music written in the key of C in the key of B ♭, regardless of octave. Subcategories This category has only the following subcategory.