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Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
The Biblia pauperum (Latin for "Paupers' Bible") was a tradition of picture Bibles beginning probably with Ansgar, and a common printed block-book in the later Middle Ages to visualize the typological correspondences between the Old and New Testaments. Unlike a simple "illustrated Bible", where the pictures are subordinated to the text, these ...
The Anjou Bible, [1] or Bible Angevine, is an illustrated manuscript created c. 1340 in the court of King Robert I of Naples and Sicily (also known as Robert I of Anjou or Robert the Wise). The Bible consists of 344 folios with two full-page illustrations and over 80 small miniatures, dated initials, and marginal miniatures.
Illustration of Okabe from "Compilation of Views of Famous Sights along the Tōkaidō" (東海道名所図会, Tōkaidō meisho zue) station Ishibe (1797), which influenced Hiroshige In 1832, Hiroshige traveled the length of the Tōkaidō from Edo to Kyoto, as part of an official delegation transporting horses that were to be presented to the ...
Incised sarcophagus slab with the Adoration of the Magi from the Catacombs of Rome, 3rd century.Plaster cast with added colour. Except for Jesus wearing tzitzit—the tassels on a tallit—in Matthew 14:36 [9] and Luke 8:43–44, [10] there is no physical description of Jesus contained in any of the canonical Gospels.
Plate 11 of the engravings, detail of centre image. William Blake's Illustrations of the Book of Job primarily refers to a series of twenty-two engraved prints (published 1826) by Blake illustrating the biblical Book of Job. It also refers to two earlier sets of watercolours by Blake on the same subject (1806 and 1821).
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
Throughout stories are retold using passages from the Bible, with chapter and verse cited, the wording being a free adaptation that Spurling says is based on a number of public domain Bible translations. [4] Occasionally, mostly when images are being used to contrast with the underlying scripture, Spurling dramatizes the images with additional ...