Search results
Results From The WOW.Com Content Network
The quantum-mechanical "Schrödinger's cat" paradox according to the many-worlds interpretation.In this interpretation, every quantum event is a branch point; the cat is both alive and dead, even before the box is opened, but the "alive" and "dead" cats are in different branches of the multiverse, both of which are equally real, but which do not interact with each other.
The main conclusion of the authors is that "the Copenhagen interpretation still reigns supreme", receiving the most votes in their poll (42%), besides the rise to mainstream notability of the many-worlds interpretations: "The Copenhagen interpretation still reigns supreme here, especially if we lump it together with intellectual offsprings such ...
While "Copenhagen" refers to the Danish city, the use as an "interpretation" was apparently coined by Heisenberg during the 1950s to refer to ideas developed in the 1925–1927 period, glossing over his disagreements with Bohr. [2] [3] Consequently, there is no definitive historical statement of what the interpretation entails.
In both polls, the Copenhagen interpretation received the largest number of votes. In Tegmark's poll, many-worlds interpretations came in second place, while in the 2011 poll, many-worlds was at third place (18%), behind quantum information approaches in second place (24%).
An alternative interpretation, the Many-worlds Interpretation, was first described by Hugh Everett in 1957 [3] [4] (where it was called the relative state interpretation, the name Many-worlds was coined by Bryce Seligman DeWitt starting in the 1960s and finalized in the 1970s [5]). His formalism of quantum mechanics denied that a measurement ...
For premium support please call: 800-290-4726 more ways to reach us
Science & Tech. Shopping. Sports
Copenhagen is a play by Michael Frayn, based on an event that occurred in Copenhagen in 1941, a meeting between the physicists Niels Bohr and Werner Heisenberg, who had been Bohr's student. It premiered in London in 1998, at the National Theatre, running for more than 300 performances, starring David Burke (Niels Bohr), Sara Kestelman ...