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Music journalist Geoffrey Freakes described "No More Lies" as being a "breezy acoustic and electric guitar-driven tune" but said that "although mildly memorable, it's the kind of song you feel [Hayward] could dash off in his sleep." [2] Freakes described the drum and bass parts as sounding "synthetic" but the keyboards as "stirring". [2]
Caught Live is the first Moody Blues album since Days of Future Passed not to feature cover artwork by Philip Travers. Decca Records instead used British art design group Hipgnosis . The "+5" studio tracks were re-released on their 1987 album Prelude .
"Driftwood" is a 1978 single by the English progressive rock band the Moody Blues. It was the second single released from the album Octave, after "Steppin' in a Slide Zone". Written by Justin Hayward, "Driftwood" is a slow love ballad, in a similar manner to "Nights in White Satin" and "Never Comes the Day."
The Moody Blues live in 1981. Former Yes keyboardist Patrick Moraz joined the Moody Blues for the Octave World Tour. The album sold well and produced two minor hits in "Steppin' in a Slide Zone" (No. 39 in the US) and "Driftwood" (No. 59 in the US). The Moody Blues toured the US and Europe during much of 1979.
"Question" is a 1970 single by the English progressive rock band the Moody Blues. It was written by guitarist Justin Hayward, who provides lead vocals."Question" was first released as a single in April 1970 and remains their second highest-charting song in the UK, reaching number two and staying on the chart for 12 weeks.
The latter version was included in the Moody Blues' box set Time Traveller. Although sometimes falsely credited as being an original single by the Moody Blues itself, Hayward has performed the song live with that group. [5] Acker Bilk, on the 1980 album, Mellow Music. Paul Brett, on the 1980 album, Romantic Guitar. This version also appeared as ...
The two single versions of the song were both stripped of the orchestral and "Late Lament" poetry sections of the LP version. The first edited version, with the songwriter's credit shown as "Redwave", was a hasty-sounding 3:06 version of the LP recording with very noticeable chopped parts.
Cash Box said that this "Stunning teen-aimed ballad picks up rhythmic punch in a development that winds up a throbbing with top forty appeal." [6]Classic Rock History critic Brian Kachejian rated it as the Moody Blues' greatest song, saying that "Justin Hayward’s beautiful lyrics and melody combined with John Lodges’ guitar work and Mike Pinder’s Mellotron presented Moody Blues fans with ...