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The metronome is usually viewed positively by performers, teachers, conservatories, and musicologists (who spend considerable time analysing metronome markings). It is considered an excellent practice tool because of its steady beat, being "mathematically perfect and categorically correct". [ 38 ]
A metronome by Maelzel, Paris, 1815. Johann Nepomuk Maelzel (or Mälzel; August 15, 1772 – July 21, 1838) was a German inventor, engineer, and showman, best known for manufacturing a metronome and several music-playing automatons, and displaying a fraudulent chess machine.
Dietrich Nikolaus Winkel (1777 – 28 September 1826) was the inventor of the first successful metronome.He also invented the componium, an "automatic instrument" that could make endless variations on a musical theme.
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
The click track may be used as a form of metronome directly by musicians in the studio or on stage, particularly by drummers, who listen via headphones to maintain a consistent beat. Sometimes the click track would be given, through a set of headphones, only to the drummer who would hold the beat, and the rest of the musicians on staff would ...
The metronome, originally manufactured by the Qualite Excelsior company, was a mass-produced product that might be commonly found in many homes. It was probably secondhand when Man Ray reconfigured it as an art object, as it was marred, worn, missing minor parts and stood on mismatched feet, though its mechanism was in fair working order. [1]
The only true scored "instrument" is an electric metronome for each individual player, [4] though the varying sounds and/or actions may involve many different instruments and objects at the discretion of the performer.
The performers then leave the stage. As the metronomes wind down one after another and stop, periodicity becomes noticeable in the sound, and individual metronomes can be more clearly distinguished. The piece typically ends with just one metronome ticking alone for a few beats, followed by silence, and then the performers return to the stage. [1]