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A rag-and-bone man with his horse and cart on the streets of Streatham, southwest London in 1985 A rag-and-bone man in Croydon, London, May 2011 A 1954 report in The Manchester Guardian mentioned that some men could make as much as £25 (roughly equivalent to £865 now) per day collecting rags.
Retrieval-Augmented Generation (RAG) is a technique that grants generative artificial intelligence models information retrieval capabilities. It modifies interactions with a large language model (LLM) so that the model responds to user queries with reference to a specified set of documents, using this information to augment information drawn from its own vast, static training data.
A rag doll is a doll made from scraps of fabric. They are one of the oldest children's toys in existence. They are one of the oldest children's toys in existence. Today, many rag dolls are commercially produced to mimic aspects of the original home-made dolls, such as simple features, soft cloth bodies, and patchwork clothing.
A rag mag is a small booklet traditionally filled with (now politically incorrect) humour which was sold to the local community during rag week. Possibly some university rags with a strong local tradition still sell their rag mags, however the majority of others use theirs more as information-tools for new students wanting to know more about rag.
The action centred on a fictional small clothing workshop (the title is a reference to the textile industry), Fenner's Fashions in London. [1] Although run by Harold Fenner (Peter Jones) and the foreman and pattern cutter Reg Turner (), the female workers are led by militant shop steward Paddy Fleming (Miriam Karlin), ever ready to strike, with the catchphrase "Everybody out!"
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Ragtime, also spelled rag-time or rag time, [2] is a musical style that had its peak from the 1890s to 1910s. [1] Its cardinal trait is its syncopated or "ragged" rhythm . [ 1 ] Ragtime was popularized during the early 20th century by composers such as Scott Joplin , James Scott , and Joseph Lamb .
"Magnetic Rag," the last piece he completed, Joplin had pushed the music far beyond the boisterous beerhall ambience that characterized, for many listeners and players, the rag idiom. This was music on a large scale that was now being squeezed into the narrow confines of rag form—so much so, that the music often burst at the seams.