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The Wilton Diptych, c. 1395 –1399. Each panel is 53 cm × 37 cm (21 in × 15 in). The Wilton Diptych (made c. 1395–1399) is a small portable diptych of two hinged panels, painted on both sides, now in the National Gallery, London.
The flag of England is the national flag of England, a constituent country of the United Kingdom. It is derived from Saint George's Cross (heraldic blazon : Argent, a cross gules ). The association of the red cross as an emblem of England can be traced back to the Late Middle Ages when it was gradually, increasingly, used alongside the Royal ...
The Modern White Dragon Flag of England is based on a legend in Geoffrey of Monmouth's "History of the Kings of Britain". [67] In modern times, it is often used by far-right English nationalist organisations. [68] 1620–1707: English Red Ensign: Ensign of the red squadron with the Flag of England in the canton 1620–1702: English White Ensign
Name and flag National Personification National Animals Coat of Arms Motto Anthem United Kingdom Flag of the United Kingdom : Britannia: Lion: Royal coat of arms of the United Kingdom (as used in Scotland) "God Save the King" Note: "King" is replaced with "Queen" in the lyrics whenever the monarch is female.
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
Flag of the St John Ambulance Brigade [citation needed] A Branch Standard of the Royal British Legion [citation needed] A blue ensign with a yellow band across the middle with the words Royal British Legion and the name of the branch. Flag of Saint David: A gold cross on a black field. This is flown in Wales especially on St David's Day.
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Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens.