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Here are 22 of the best gangster stories of all time—12 crime movies and 10 crime series that deliver action, suspense, comedy, romance, and heartbreak, all nested within violent narratives of ...
Centered in South Boston, this Martin Scorsese-directed film reimagines the Hong Kong crime movie Internal Affairs as a story that circulates around a criminal investigation of the Irish mafia ...
Films about the Mafia, criminal organizations that bear a strong similarity to the Italian Mafia.The central activity of such an organization would be the arbitration of disputes between criminals as well as the organization and enforcement of illicit agreements between criminals through the use of or threat of violence.
Gangster film [49] Crackers: Louis Malle: Donald Sutherland, Jack Warden, Sean Penn: United States [50] Fatal Vision: David Greene: Karl Malden, Eva Marie Saint, Gary Cole: United States [51] Fear City: Abel Ferrara: Tom Berenger, Billy Dee Williams, Jack Scalia, Melanie Griffith, María Conchita Alonso: United States [52] The Gunrunner: Nardo ...
Romance, crime, action [54] [55] See How They Run: Tom George: Sam Rockwell, Saoirse Ronan, Adrien Brody, Ruth Wilson, Reece Shearsmith, Harris Dickinson, David Oyelowo: United States: Murder mystery, comedy [56] The American Dream: Dr. Vighnesh Koushik: Prince Cecil, Neha Krishna: India: Crime thriller [57] The Bad Guys: Pierre Perifel
This is a chronological list of crime films split by decade. Often there may be considerable overlap particularly between Crime and other genres (including, action , thriller , and drama films ); the list should attempt to document films which are more closely related to crime, even if it bends genres.
Married to the Mob is a 1988 American crime romantic comedy film [1] directed by Jonathan Demme, written by Barry Strugatz and Mark R. Burns, and starring Michelle Pfeiffer, Matthew Modine, Dean Stockwell, Mercedes Ruehl, and Alec Baldwin. [2]
Gangsters featured references to film noir, gangster films, westerns, Bollywood and kung fu movies, as well as increasingly surreal end-of-episode cliffhangers and a bizarre final scene where the characters not only "break the fourth wall" but walk off the set. The two series had quite different tones.