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Pressed tin ceiling over a store entrance in Bellingham, Washington, U.S.A.. A tin ceiling is an architectural element, consisting of a ceiling finished with tinplate with designs pressed into them, that was very popular in Victorian buildings in North America in the late 19th and early 20th century. [1]
Wood wall panelling has seen a resurgence in popularity in recent years due to its aesthetic appeal, versatility, and sustainability. Traditionally used to insulate and decorate interiors, modern wood panelling includes wainscoting, beadboard, shiplap, board and batten, and both raised and flat panels.
Each panel is 53 cm × 37 cm (21 in × 15 in). The Wilton Diptych (made c. 1395–1399) is a small portable diptych of two hinged panels, painted on both sides, now in the National Gallery, London. It is an extremely rare survival of a late medieval religious panel painting from England.
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall ( fresco ) or on vellum (used for miniatures in illuminated manuscripts ).
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
The recommended handling method for panel paintings is similar to that of canvas and other two-dimensional works. Conservators are the only persons that should touch the front or back of a painting. The panel should be held by the edges using nitrile gloves and carried with two hands or in tandem by two people, depending on size.