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The white horses of Wiltshire, of which there are currently nine, have inspired other sculptures in the county. Julive Livsey's sculpture White Horse Pacified (1987) in Shaw, Swindon was inspired by the white horses. [35] In 2010, Charlotte Moreton created the steel sculpture White Horse for Solstice Park, Amesbury, taking influence from white ...
Standing Horse is a tomb figure created during the Tang dynasty in China. In ancient China, numerous tomb figurines and other artefacts were designed specifically to be buried with the deceased in large burial mounds .
The Folkestone White Horse. The Folkestone White Horse is a white horse hill figure, carved into Cheriton Hill, Folkestone, Kent, South East England. It overlooks the English terminal of the Channel Tunnel and was completed in June 2003. [1] The horse was planned as a Millennium Landmark [2] to help regenerate the Folkestone area. [3]
An earlier horse figure was cut slightly northwest of the current one in 1838. [1] Since 1991, the horse has been owned by the National Trust, who, along with local volunteers, regularly clean and maintain it. [2] Until the late 20th century, the Litlington White Horse was referred to by various names, reflecting its location and nearby landmarks.
Westbury White Horse or Bratton White Horse is a hill figure on the escarpment of Salisbury Plain, approximately 1.5 mi (2.4 km) east of Westbury in Wiltshire, England. Located on the edge of Bratton Downs and lying just below an Iron Age hill fort, it is the oldest of several white horses carved in Wiltshire. [1]
The first instance that the horse was successfully positioned on the two hind legs without using the tail as a third support. Erected in front of the Hoftheater as an equestrian statue on a stone pedestal in 1826; the present fountain monument was created in 1894 (see Leopoldsbrunnen ).
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The careful notes and drawings he made during his studies were published in 1766 in The Anatomy of the Horse. Even before the publication of his book, Stubbs's dedication to his subject reaped him rewards: his drawings were recognized as more accurate than the work of other equine artists and commissions from aristocratic patrons quickly followed.