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Visiting card of Johann van Beethoven, brother of Ludwig van Beethoven. A visiting card, also called a calling card, was a small, decorative card that was carried by individuals to present themselves to others. It was a common practice in the 18th and 19th century, particularly among the upper classes, to leave a visiting card when calling on ...
As was the case with a number of his readymades, Duchamp made multiple versions of L.H.O.O.Q. of differing sizes and in different media throughout his career, one of which, an unmodified black and white reproduction of the Mona Lisa mounted on card, is called L.H.O.O.Q. Shaved.
An attorney's business card, 1895 Eugène Chigot, post impressionist painter, business card 1890s A business card from Richard Nixon's first Congressional campaign, in 1946 Front and back sides of a business card in Vietnam, 2008 A Oscar Friedheim card cutting and scoring machine from 1889, capable of producing up to 100,000 visiting and business cards a day
Tracey Emin is one of just two women professors to be appointed at London's Royal Academy of Arts since the Academy was founded in 1768. [191] In February 2013, she was named as one of the 100 most powerful women in the United Kingdom by Woman's Hour on BBC Radio 4. [192]
Appropriation, similar to found object art is "as an artistic strategy, the intentional borrowing, copying, and alteration of preexisting images, objects, and ideas". [2] It has also been defined as "the taking over, into a work of art, of a real object or even an existing work of art."
One of the problems of “dark tourism” is that it’s an imprecise designation. If being a “dark tourist” means visiting “death spaces,” well, who hasn’t been to a death space? Most of the leading scholarship on the topic suggests that going to any of Hiroshima, the Taj Mahal, or Arlington National Cemetery makes one a dark tourist.