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Save Me the Waltz is a 1932 novel by American writer Zelda Fitzgerald.The novel's plot follows the privileged life of Alabama Beggs, a Southern belle who grows up the Deep South during the Jim Crow era and marries David Knight, an aspiring painter.
The landscapes at the End of Time are almost entirely artificial or illusory, created by the inhabitants and constantly being altered. In the first chapter of An Alien Heat, the Iron Orchid and Jherek Carnelian awaken after the picnic they have created to find that the sea has been turned a shade of cerise, and the cliff with two palm trees that had previously been behind them had been ...
The book concerns three adopted sisters, Pauline, Petrova and Posy Fossil. Each of the girls is discovered as a baby by Matthew Brown (Great-Uncle-Matthew, known as "Gum"), an elderly, absentminded palaeontologist and professor, during his world travels, and sent home to his practical great niece, Sylvia and her childhood nanny, Nana who live in London, England.
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"Maxims I" (sometimes treated as three separate poems, "Maxims I, A, B and C") and "Maxims II" are pieces of Old English gnomic poetry. The poem "Maxims I" can be found in the Exeter Book and "Maxims II" is located in a lesser known manuscript, London, British Library, Cotton Tiberius B i.
Olio is a book of poetry written by Tyehimba Jess that was released in 2016. [1] The book is split into 16 sections, 14 of which are poems with the introduction section and extras and acknowledgments acting as the beginning and ending sections, and illustrated by Jessica Lynne Brown. Olio won the 2017 Pulitzer Prize for Poetry. [2]
Life in Motion: An Unlikely Ballerina is an autobiography by Misty Copeland, written with Charisse Jones, published March 4, 2014 by Aladdin. [1] In the book, Copeland discusses her history toward becoming the only African-American soloist with the American Ballet Theatre following a life in which she and her family lived in poverty.
In an extended accompanied cadenza filled with extremely detailed performance instructions by Strauss, after the fashion of an operatic recitative, the violin presents new motivic material, alternating with brief interjections in low strings, winds, and brass. During this section, the violin briefly foreshadows a theme that will appear fully later.