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Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time.
The Grupo Madí was one of two prominent groups of artists pursuing abstract art in Argentina. The other was Arte Concreto-Invencíon, or AACI, founded in 1945. [5] The Madí art movement formed as a reaction to the AACI, whose art was perceived by the Madí group as being too strict in their method of creating concrete art, resulting in a lack of expression in their artworks.
An important influence that can be seen in the magazine is from the Dutch artist Theo Van Doesburg. He formulated in “Basis of the Concrete painting”, in Paris, April 1930. [5] Van Doesburg described concrete art by stating, "1) Art is universal. 2) The work of art must be conceived and entirely shaped by the spirit before its execution.
The Peter C. Ruppert Collection of European concrete art is housed at the Museum im Kulturspeicher Würzburg in Würzburg since 2002. The collection was initially assembled by Peter C. Ruppert (1935-2019) [ 1 ] [ 2 ] and later together with his wife Rosemarie.
Peter C. Ruppert (1935–2019) [3] [4] was a businessman and Art collector, who started in the 70s of the 20th century to collect works of Concrete art with a focus on Concrete art after 1945. His collection includes around 418 works by 254 European Concrete art artists from the end of World War II onwards from almost all parts of Europe. [5]
William George Mitchell (30 April 1925 – 30 January 2020) was an English sculptor, artist and designer. He is best known for his large scale concrete murals and public works of art from the 1960s and 1970s.