Search results
Results From The WOW.Com Content Network
Ravi Shankar, a master of the instrument, was the first to make inroads into Western culture with the sitar.. While the sitar had earlier been used in jazz and Indian film music, it was from the 1960s onwards that various pop artists in the Western world began to experiment with incorporating the sitar, a classical Indian stringed instrument, within their compositions.
The song's instrumentation contains the titular tambourine as well as an electric sitar, [10] a frequent signature of the so-called "psychedelic sound". Another hook is the heavy, psychedelic tape echo applied to the word "play" in each chorus and at the end, fading into a drumroll ("Listen while I play play play play play play play my green ...
The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man". Lennon wrote the song as a veiled account of an extramarital affair he had in London. When recording the track, Harrison was asked by Lennon to add a sitar part to the song. [5]
Thanks to our friends at Modojo, we have a complete collection of cheats, answers, and solutions that cover everything you need to know about 4 Pics 1 Song. Level 1 1-16 Level 2 1-16
"Wherever I May Roam" is a song by American heavy metal band Metallica. It was released in October 1992 as the fourth single from their eponymous fifth album, Metallica.It reached number 82 on the US Billboard Hot 100 peaked at number twenty-five on the Billboard Album Rock Tracks chart, and peaked at number two in Denmark, Finland and Norway.
The song was written and sung by George Harrison and features Indian instrumentation such as sitar and tabla. Following Harrison's introduction of the sitar on "Norwegian Wood (This Bird Has Flown)" in 1965, it was the first Beatles song to fully reflect the influence of Indian classical music.
The history of the sitar in jazz, that is the fusion of the sounds of Indian classical music with Western jazz, dates back from the late-1950s or early-1960s when musicians trained in Indian classical music such as Ravi Shankar started collaborating with jazz musicians such as Tony Scott and Bud Shank.
A number of instruments (such as the sitar) were also introduced in his time. Amir Khusrau is sometimes credited with the origins of the khyal form, but the record of his compositions does not appear to support this. The compositions by the court musician Sadarang in the court of Muhammad Shah bear a closer affinity to the modern khyal. They ...