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The emergency medical services' Star of Life features a rod of Asclepius In Greek mythology, the Rod of Asclepius (⚕; / æ s ˈ k l iː p i ə s /, Ancient Greek: Ῥάβδος τοῦ Ἀσκληπιοῦ, Rhábdos toû Asklēpioû, sometimes also spelled Asklepios), also known as the Staff of Aesculapius and as the asklepian, [1] is a serpent-entwined rod wielded by the Greek god Asclepius ...
Acat was a deity in Maya mythology associated with the process of tattooing. [1] The Maya placed great importance on the tattooing process, believing that tattoos in the image of a god would imbue a person with some of that god's power.
On the left blade is an inscription in undeciphered Linear A; posssibly an invocation to the goddess Demeter. [1] [2] Labrys (Greek: λάβρυς, romanized: lábrys) is, according to Plutarch (Quaestiones Graecae 2.302a), the Lydian word for the double-bitted axe. In Greek it was called πέλεκυς (pélekys).
Goddess of fresh-water, and the mother of the rivers, springs, streams, fountains, and clouds. Theia: Θεία (Theía) Goddess of sight and the shining light of the clear blue sky. She is the consort of Hyperion, and mother of Helios, Selene, and Eos. Themis: Θέμις (Thémis) Goddess of divine law and order. Descendants of the twelve ...
Thanatos was loosely associated with the three Moirai (for Hesiod, also daughters of Night), particularly Atropos, who was a goddess of death in her own right. He is also, at times, specified as being exclusive to a peaceful death, while the bloodthirsty Keres embodied violent death.
Hephaestus (UK: / h ɪ ˈ f iː s t ə s / hif-EE-stəs, US: / h ɪ ˈ f ɛ s t ə s / hif-EST-əs; eight spellings; Ancient Greek: Ἥφαιστος, romanized: Hḗphaistos) is the Greek god of artisans, blacksmiths, carpenters, craftsmen, fire, metallurgy, metalworking, sculpture and volcanoes. [1] Hephaestus's Roman counterpart is Vulcan.
Tattoos hold rich historical and cultural significance as permanent markings on the body, conveying personal, social, and spiritual meanings. However, religious interpretations of tattooing vary widely, from acceptance and endorsement to strict prohibitions associating it with the desecration of the sacred body.
Sabazios' relations with the goddess may be surmised in the way that his horse places a hoof on the head of the bull, in a Roman marble relief at the Boston Museum of Fine Arts. [11] Though Roman in date, the iconic image appears to be much earlier. This copper alloy Roman hand of Sabazios was used in ritual worship.