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Romantic? is the sixth studio album by English synth-pop band the Human League. It was issued by Virgin Records in 1990 and was the band's first album of new material in four years. Also producing several tracks is Mark Brydon , who would be one half of musical duo Moloko several years later.
The Human League Video Single: VHS, Beta: Contains videos for "Mirror Man", "Love Action" and "Don't You Want Me". 1988 Human League Greatest Hits: VHS, LD: Tie-in with 1988 Greatest Hits, containing videos for all tracks on that album except "Being Boiled" and "Love Is All That Matters", plus "Circus of Death". 1995 The Human League Greatest ...
It was to be the worst performance of a Human League single for ten years. After losing money on the single's promotion and its music video, it would be the point that Virgin ran out of patience with the Human League. There would be no further releases from Romantic? and within a year the band would be dropped by the label. [2]
The Human League are an English synth-pop [1] band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album Dare in 1981 after restructuring their lineup.
It should only contain pages that are The Human League albums or lists of The Human League albums, as well as subcategories containing those things (themselves set categories). Topics about The Human League albums in general should be placed in relevant topic categories .
"Heart Like a Wheel" is a song by English synth-pop band The Human League. It was the first single to be taken from the Romantic? album (1990), and was written by former band member Jo Callis with Eugene Reynolds (of the Rezillos) and features vocals by Philip Oakey, Joanne Catherall and Susan Ann Sulley; with synthesizer by Neil Sutton.
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In 1985, recording for the Human League's fifth album was not going well. The band did not like the results, which caused internal conflict. Virgin Records executives, worried by the lack of progress from their at-the-time most profitable signing, suggested the band accept an offer to work with producers Jimmy Jam and Terry Lewis, who had material to work with and had expressed an interest in ...