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The Italian solo cantata tended, when on a large scale, to become indistinguishable from a scene in an opera, in the same way the church cantata, solo or choral, is indistinguishable from a small oratorio or portion of an oratorio.
An oratorio (Italian pronunciation: [oraˈtɔːrjo]) is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. [1] Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias.
A music score of an opera, musical, or a vocal or choral composition with orchestra (like oratorio or cantata) where the vocal parts are written out in full but the accompaniment is reduced to two staves and adapted for playing on piano voce Voice volante Flying volti subito (V.S.) Turn immediately (i.e. turn the page quickly).
A recitative from J.S. Bach's Cantata 140, "Wachet auf, ruft uns die Stimme" Recitative ( / ˌ r ɛ s ɪ t ə ˈ t iː v / , also known by its Italian name recitativo ( [retʃitaˈtiːvo] ) is a style of delivery (much used in operas , oratorios , and cantatas ) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech.
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first commonly used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public.
Unless otherwise indicated, all dates are those when the work was first performed. In some cases only the date of composition is known. In others, the oratorio has only been heard on a recording. There is considerable overlap between the oratorio and the cantata, especially during the 19th century. The works listed below are those that have ...
In classical music, arioso (; also aria parlante [1] [ˈaːrja parˈlante]) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means airy. The term arose in the 16th century along with the aforementioned styles and monody.
The great achievements generally ascribed to Carissimi are the further development of the recitative, introduced by Monteverdi, which is highly important to the history of dramatic music; the further development of the chamber cantata, by which Carissimi superseded the concertato madrigals which had themselves replaced the madrigals of the late Renaissance; and the development of the oratorio ...