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A major triad has a major third (M3) on the bottom, a minor third (m3) on top, and a perfect fifth (P5) between the outer notes. In harmonic analysis and on lead sheets, a C major chord can be notated as C, CM, CΔ, or Cmaj. A major triad is represented by the integer notation {0, 4, 7}.
For instance, the notation C/E bass indicates a C major triad in first inversion i.e. a C major triad with an E in the bass. Likewise the notation C/G bass indicates that a C major chord with a G in the bass (second inversion). See figured bass for alternate method of notating specific notes in the bass.
The root position of a chord is the voicing of a triad, seventh chord, or ninth chord in which the root of the chord is the bass note and the other chord factors are above it. . In the root position, uninverted, of a C-major triad, the bass is C — the root of the triad — with the third and the fifth stacked above it, forming the intervals of a third and a fifth above the root of C, respective
Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord
Melodic inversion is not inversion in the usual sense, in which C–E–G becomes E–G–C or G–C–E. Instead, C–E–G is turned upside down to become C–A ♭ –F. A chord's odd limit is the largest of the odd limits of each of the numbers in the chord's extended ratio. For example, the major triad in close position is 4:5:6.
It comprises a major triad with the added major sixth above the root, common in popular music. [3] For example, the chord C 6 contains the notes C–E–G–A. The minor sixth chord (min 6 or m 6, e.g., Cm 6) is a minor triad, still with a major 6. For example, the chord Cm 6 contains the notes C–E ♭ –G–A.
As shown above, a C-major triad (or any chord with three notes) has two inversions: In the first inversion , the lowest note is E – the third of the triad – with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor sixth above the inverted bass of E, respectively.
In a major key, the supertonic triad (ii) is minor, and in a minor key it is diminished. The dominant is, in its normal form, a major triad and commonly a dominant seventh chord . With the addition of chord alterations , substitutions , and extensions , limitless variations exist on this simple formula.