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"Tomorrow Will Be Better" (Chinese: 明天會更好; pinyin: Míngtiān huì Gènghǎo) is a Taiwanese Mandopop charity record written by Lo Ta-yu and sung by over 60 artists. It was recorded on 15 September 1985 and released on 25 October 1985 in order to raise money for World Vision International to help with aid to Africa.
Xinyao (Chinese: 新謠; pinyin: Xīnyáo) is a genre of songs originating from Singapore. [1] It is a contemporary Mandarin vocal genre that emerged between the late 1970s to 1980s. [ 2 ] [ 3 ] Xinyao songs are typically composed and sung by Singaporeans , although there are exceptions: one of the most notable being Eric Moo , who is not ...
The top 10 songs (十大中文金曲) of 1980 are as follows. Song name in Chinese Artist Composer Lyricist
Western-influenced music first came to China in the 1920s, specifically through Shanghai. [7] Artists like Zhou Xuan (周璇) acted in films and recorded popular songs.. When the People's Republic of China was established by the Chinese Communist Party in 1949, one of the first actions taken by the government was to denounce pop music (specifically Western pop) as decadent music. [7]
The Mandarin popular songs of the Shanghai era are considered by scholars to be the first kind of modern popular music developed in China, [9] and the prototype of later Chinese pop song. [10] Li Jinhui is generally regarded as the "Father of Chinese Popular Music" who established the genre in the 1920s. [11]
Taiwan campus folk song, campus folk song, or campus folk rock (Chinese: 校園民歌) is a genre of Taiwanese music with its roots as student songs in the campuses of Taiwanese universities during the 1970s.
The song was translated into Japanese and sung by Hamako Watanabe (1940), and was re-released by Li Xianglan the following year; Li (aka Yamaguchi Yoshiko) was fluent in both Chinese and Japanese, and also performed Chinese versions. [14] The song has been recorded by Judy Ongg, [15] Fei Yu-ching, [16] Lisa Ono, Claire Kuo and many others.
During the late 1960s and 1970s, Mandarin pop songs were getting more and more popular and became the mainstream of Hong Kong pop. [6] In the 1970s, Hong Kong audiences wanted popular music in their own dialect, Cantonese. Also, a Cantonese song Tai siu yan yun (啼笑姻緣) became the first theme song of a TV drama.