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The first of the AFI 100 Years... series of cinematic milestones, AFI's 100 Years... 100 American Movies is a list of the 100 best American movies, as determined by the American Film Institute from a poll of more than 1,500 artists and leaders in the film industry who chose from a list of 400 nominated movies. The 100-best list American films ...
This poll is regarded as one of the most important "greatest ever film" lists. American critic Roger Ebert described it as "by far the most respected of the countless polls of great movies—the only one most serious movie people take seriously." [2] Bicycle Thieves (1948) topped the first poll in 1952 with 25 votes. [1]
Part of the American Film Institute's 100 Years... series, AFI's 100 Years... 100 Movie Quotes is a list of the top 100 quotations in American cinema. [1] The American Film Institute revealed the list on June 21, 2005, in a three-hour television program on CBS .
AFI defines an "American screen legend" as "an actor or a team of actors with a significant screen presence in American feature-length films (films of 40 minutes or more) whose screen debut occurred in or before 1950, or whose screen debut occurred after 1950 but whose death has marked a completed body of work."
Films on the list span a period of 80 years, starting with Sherlock Jr. (1924) directed by Buster Keaton, and finishing with Finding Nemo (2003) directed by Andrew Stanton. Of the 33 films in the list that were released before 1950, only 6 were produced outside Hollywood, and 13 of those 27 American films were directed by men born abroad: [ 4 ]
The 'Halloween' franchise: 1978. Starring Jamie Lee Curtis in one of her most memorable roles, "Halloween" revolutionized the slasher movie genre and has become a long-lasting horror favorite.
CoPilot researched the history of road trip cinema and chose 10 iconic films capturing the spirit of the great American road trip.
The jurors were limited to feature-length (at least 60 minutes), narrative, English-language films with significant financial and/or creative backing from the United States. All characters, whether hero or villain, were to "have made a mark on American society in matters of style and substance" and "elicit strong reactions across time ...