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The numbered musical notation (simplified Chinese: 简谱; traditional Chinese: 簡譜; pinyin: jiǎnpǔ; lit. 'simplified notation', not to be confused with the integer notation) is a cipher notation system used in mainland China, Taiwan, Hong Kong, and to some extent in Japan, Indonesia (in a slightly different format called "not angka"), Malaysia, Australia, Ireland, the United Kingdom ...
Below is an example of orthography between the Tagalog (Early Spanish-style system) and Filipino (derived from multiple tribe coalitions.) The text used for comparison is the Filipino version of the Lord's Prayer. The phrase in square brackets is the doxology "for thine is the kingdom, and the power, and the glory forever".
Filipino hip-hop is hip hop music performed by musicians of Filipino descent, both in the Philippines and overseas, especially by Filipino-Americans. The Philippines is known to have the first hip-hop music scene in Asia, emerging in the early 1980s, largely due to the country's historical connections with the United States where hip-hop ...
A version with English-Tagalog lyrics, recorded in 1964, was a hit in the United States and continues to be popular in Filipino communities on American soil. According to notes by Tom Spinosa who wrote one of the multiple sets of English lyrics, while Mike Velarde, Jr. owns the copyright, the song was written by Mike's father (also Mike Velarde ...
The process of interpreting musical notation is often referred to as reading music. Distinct methods of notation have been invented throughout history by various cultures. Much information about ancient music notation is fragmentary. Even in the same time frames, different styles of music and different cultures use different music notation methods.
"Bayan Ko" (usually translated as "My Country"; Spanish: Nuestra patria, lit. 'Our Motherland') is one of the most recognizable patriotic songs of the Philippines.It was written in Spanish by the revolutionary general José Alejandrino in light of the Philippine–American War and subsequent American occupation, and translated into Tagalog some three decades later by the poet José Corazón de ...
The version which survives today was reconstructed by Nakpil from memory as a piece for piano years later. [ 1 ] [ 2 ] [ 3 ] Its use was likely revived by Macario Sakay , a compatriot of Bonifacio and Nakpil who revived and continued the Katipunan and the Tagalog Republic from 1902 to 1906, years after the end of Aguinaldo's final Republic (the ...
Another popular music category, influenced by Traditional Filipino music but not rooted in the American folk rock tradition of the 70s, is that of "contemporary music using Filipino instruments," an example of which is UDD's song "Paagi," which was used as the theme song for the animated adaptation of the comic book series Trese. [7]