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Bembo is a serif typeface created by the British branch of the Monotype Corporation in 1928–1929 and most commonly used for body text.It is a member of the "old-style" of serif fonts, with its regular or roman style based on a design cut around 1495 by Francesco Griffo for Venetian printer Aldus Manutius, sometimes generically called the "Aldine roman".
Sample of cursive letter shapes, with Old Roman Cursive in the upper rows and New Roman Cursive in the lower rows. Roman cursive (or Latin cursive) is a form of handwriting (or a script) used in ancient Rome and to some extent into the Middle Ages. It is customarily divided into old (or ancient) cursive and new cursive.
These fonts were designed in the early 20th century, mainly the 1930s, as grotesque versions of blackletter typefaces. The Nazis heavily used these fonts themselves, although the shift remained controversial; in fact, the press was at times scolded for its frequent use of "Roman characters" under "Jewish influence" and German émigrés were ...
The Latin alphabet, also known as the Roman alphabet, is the collection of letters originally used by the ancient Romans to write the Latin language.
In the history of Western typography, humanist minuscule gained prominence as a basis for the typesetter's roman typeface, as it was standardized by Aldus Manutius, who introduced his revolutionary italic typeface based on the chancery hand in Venice, 1501, and practiced by designer-printers Nicolas Jenson and Francesco Griffo, respectively ...
Bembo is a roman typeface (shown with italic) dating to 1928 based on punches cut by Francesco Griffo in 1494. [1] [2] [3] [4]In Latin script typography, roman is one of the three main kinds of historical type, alongside blackletter and italic.
The font is inspired by ancient incised Greek and Roman letter carvings, [1] with geometric shapes used for the main construction. For example, its stylized Q is based on qoppa, an ancient form of Q. The O with a cross is an early form of theta. It is an all-capital font, but with different capital glyphs for both lowercase and capital letters.
Nicolas Jenson began printing in Venice with his original roman font from 1470. Jenson's design and the very similar roman types cut by Francesco Griffo c. 1499 and Erhard Ratdolt c. 1486 are acknowledged as the definitive and archetypal roman faces that set the pattern for the majority of western text faces that followed.