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Femme Fatale is a 2002 erotic thriller film [2] [3] written and directed by Brian De Palma. The film stars Antonio Banderas and Rebecca Romijn-Stamos. It was screened out of competition at the 2002 Cannes Film Festival. [4] Upon its release, Femme Fatale received mixed reviews from film critics and became a box office flop.
A femme fatale (/ ˌ f æ m f ə ˈ t ɑː l / or / ˌ f ɛ m f ə ˈ t ɑː l /; French: [fam fatal], literally "lethal woman"), is a prevalent and indicating theme to the style of film noir. The portrayal of women in film noir, and more specifically the term “femme fatale”, has been a topic of intrigue and fascination for decades. The ...
Femmes fatales were standard fare in hardboiled crime stories in 1930s pulp fiction.. A femme fatale (/ ˌ f ɛ m f ə ˈ t æ l,-ˈ t ɑː l / FEM fə-TA(H)L, French: [fam fatal]; lit. ' fatal woman '), sometimes called a maneater, [1] Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising ...
Jane Greer (born Bettejane Greer; September 9, 1924 – August 24, 2001) was an American film and television actress best known for her role as femme fatale Kathie Moffat in the 1947 film noir Out of the Past. In 2009, The Guardian named her one of the best actors never to have received an Academy Award nomination. [1]
The film's main virtue is the sinister performance by British newcomer Jean Gillie as Margot Shelby, who is the nonredeemable femme fatale with a history of using men and even resorting to violence to achieve her ends. Gillie is one of the more cruel femme fatales in film noir lore." [6]
Film noir encompasses a range of plots; common archetypical protagonists include a private investigator (The Big Sleep), a plainclothes police officer (The Big Heat), an aging boxer , a hapless grifter (Night and the City), a law-abiding citizen lured into a life of crime , a femme fatale or simply a victim of circumstance . Although film noir ...
Claire Cummings is one of the most deadly femme fatales in the history of film noir, easily fitting alongside such other brutal dames as Phyllis Dietrichson from Double Indemnity, Kathie Moffat from Out of the Past, Annie Laurie Starr from Gun Crazy, and Vera from Edgar G. Ulmer's own Detour. [10]
Doane is best known for her collection of essays Femmes Fatales: Feminism, Film Theory, Psychoanalysis. The essays in this book examine the ways in which women are misrepresented and alienated in films. The articles have appeared in academic journals such as Screen, Discourse, Camera Obscura, and the anthology Psychoanalysis and Cinema. [4]